Akerman brings to world cinema a level of sensitivity & perception that surpasses the best of men (Rohmer, Bergman, Antonioni, Bresson). Les Rendez-vous d'Anna is at once warm and detached, familiar yet strange, funny but serious. It's a film where the personal intersects with the historical; the sexual with the political; and the particular with the universal. Ackerman dissects, deconstructs, and redefines the elements of cinema that JLG never managed to do.
TANZA/非洲:結尾從下而上落在非洲孩子臉上的長鏡頭讓人想哭BLUE GYPSY/吉普赛:偷錢的段落很出彩CHILDREN OF AMERICA:孩子開口說出自己的名字正面特寫結束JOAO AND BILU/巴西:生動 JONATHAN:把成人看待戰爭的視角轉變成孩子!CIRO/意大利:结尾好欢欢和小猫:主题先行细节完蛋